I've had a few false starts along the way here while I've been trying to figure out how to approach this first group of songs. I figure that maybe the best way to tell this story is to go ahead and do it as time actually progressed.
When I was a teenager, I was really into Superstar Car Wash by the Goo Goo Dolls.
There is no doubt that I'll be pushing songs from that record later on. Anyways, I read the liner notes, and I noticed that one song on the record was co-written by Paul Westerberg. I also had the Singles soundtrack, and my two favorite songs on it were both by Paul Westerberg. 
At this point I had put it together that I was going to be into tunes that this guy was involved in. However, at the time it never clicked that Westerberg might have had a career BEFORE the Singles OST. I don't really think I was ready for it at the time anyways, this was about 1994, and I was really into bands from Seattle (Nirvana, Mudhoney, Pearl Jam) or Southern California (face to face, Descendents, Lagwagon), and that was pretty much it. I wasn't grown up enough yet to understand that good tunes could come from anywhere, I guess you could say that I was more concerned with image than substance. Certainly there were lots of great bands that I loved, but for every f2f that I loved, there was at least one terrible Fat Wreck Chords band that I was into. I'm glad to say that I've refined my tastes since then.
Anyways, flash forward a few years, probably to about 1999, and I went through a bit of a musical renaissance. I think that's when I first discovered that I didn't care where it came from, or what it was, I liked it as long as it was good. Incidentally, that's the same year that I started working at HMV Rideau, where I met and worked with lots of people who introduced me to a broader variety of songs and bands than I had originally conceived was possible.
Around this time, I started going back through history to find bands that I hadn't heard before. It was then that I revisited Westerberg for the first time, and shortly thereafter I made the Replacements connection. I'm not certain that it was the first time I'd heard the Replacements, I seemed to have some vague recollection of seeing the Bastards Of Young video on MuchMusic in the early 90's. It's hard to forget that one when you've seen it.
After spending a few years obsessing over the Replacements and their Minneapolis counterparts (specifically Husker Du and Soul Asylum), I did a little more research, and that ultimately led me to a band called Big Star. And THAT is truly where the 3 songs I've chosen today came from.
Big Star is AWESOME.
About 5 years ago, they became my favorite band pretty much overnight. I did some research at the time, and thanks to the Allmusic guide and it's ability to lump bands into both broad and narrow categories, I found the songs that I'm posting about today. Big Star, according to Allmusic, falls into a category known as power pop, and I became OBSESSED with finding new power pop bands to get into. The problem is that what counts as power pop today kind of blows it on the delivery, at least in my opinion. I'm not saying that the genre died in the late 1970's, but I am saying that it became twisted by new wave in the 1980's, and ultimately went into hibernation in the 1990's. By the time bands came along doing this kind of thing, the spirit of it had been altered by the grunge hangover. I'm not saying that this made it bad, but I am saying that it made it different, and there's something about power pop from the 70's that is infinitely more appealing to me than bands like Weezer and the Fountains Of Wayne.
So, here's three little gems that you should check out:
When I was a teenager, I was really into Superstar Car Wash by the Goo Goo Dolls.
There is no doubt that I'll be pushing songs from that record later on. Anyways, I read the liner notes, and I noticed that one song on the record was co-written by Paul Westerberg. I also had the Singles soundtrack, and my two favorite songs on it were both by Paul Westerberg. 
At this point I had put it together that I was going to be into tunes that this guy was involved in. However, at the time it never clicked that Westerberg might have had a career BEFORE the Singles OST. I don't really think I was ready for it at the time anyways, this was about 1994, and I was really into bands from Seattle (Nirvana, Mudhoney, Pearl Jam) or Southern California (face to face, Descendents, Lagwagon), and that was pretty much it. I wasn't grown up enough yet to understand that good tunes could come from anywhere, I guess you could say that I was more concerned with image than substance. Certainly there were lots of great bands that I loved, but for every f2f that I loved, there was at least one terrible Fat Wreck Chords band that I was into. I'm glad to say that I've refined my tastes since then.
Anyways, flash forward a few years, probably to about 1999, and I went through a bit of a musical renaissance. I think that's when I first discovered that I didn't care where it came from, or what it was, I liked it as long as it was good. Incidentally, that's the same year that I started working at HMV Rideau, where I met and worked with lots of people who introduced me to a broader variety of songs and bands than I had originally conceived was possible.
Around this time, I started going back through history to find bands that I hadn't heard before. It was then that I revisited Westerberg for the first time, and shortly thereafter I made the Replacements connection. I'm not certain that it was the first time I'd heard the Replacements, I seemed to have some vague recollection of seeing the Bastards Of Young video on MuchMusic in the early 90's. It's hard to forget that one when you've seen it.
After spending a few years obsessing over the Replacements and their Minneapolis counterparts (specifically Husker Du and Soul Asylum), I did a little more research, and that ultimately led me to a band called Big Star. And THAT is truly where the 3 songs I've chosen today came from.
Big Star is AWESOME.
About 5 years ago, they became my favorite band pretty much overnight. I did some research at the time, and thanks to the Allmusic guide and it's ability to lump bands into both broad and narrow categories, I found the songs that I'm posting about today. Big Star, according to Allmusic, falls into a category known as power pop, and I became OBSESSED with finding new power pop bands to get into. The problem is that what counts as power pop today kind of blows it on the delivery, at least in my opinion. I'm not saying that the genre died in the late 1970's, but I am saying that it became twisted by new wave in the 1980's, and ultimately went into hibernation in the 1990's. By the time bands came along doing this kind of thing, the spirit of it had been altered by the grunge hangover. I'm not saying that this made it bad, but I am saying that it made it different, and there's something about power pop from the 70's that is infinitely more appealing to me than bands like Weezer and the Fountains Of Wayne.So, here's three little gems that you should check out:
THE RASPBERRIES: "GO ALL THE WAY"
Yes, you probably already know this song. Of the three here, this is the only one that I knew prior to starting high school. However, there is no denying the awesomeness of this song, you just have to be confident enough in your taste, and comfortable enough with your sexual orientation. If you can get past the sappiness, then you've got a winner. This song predates Eric Carmen's ear-poisoning 1980's power ballads by at least 10 years, so there's no worries from that angle.
There is a pro and a con to posting the below video in live format. The pro is that the song rocks just a bit harder live than it does on the studio version. The con is that you lose the pants-shittingly awesome 3-part harmony on the chorus. The studio version is worth tracking down for that harmony alone. Here's the Raspberries, appearing live on a TV show at some point in the mid 1970's
OFF BROADWAY: "FULL MOON TURN MY HEAD AROUND"
Apparently, Cleveland was the place to be in the 1970's if you rocked. I guess Drew Carey was right.
So, I freely acknowledge that this band bears a little more than a passing resemblance to Cheap Trick. They sound A LOT like Cheap Trick actually. I guess one could say that they're like a poor man's version of that band. I found this song by accident on the internet when I was looking for back catalogue songs by Cheap Trick. This one is obscure for sure, though maybe it wasn't if you lived in Cleveland in the 1970's. I believe that the record this is on has since been re-issued, though I can't confirm that. Allmusic says that it is worth tracking down, though I've only heard 2 or 3 songs from it so I can't say that for sure.
It's interesting to note that this band has reformed and is now playing live again. They definitely look like fat, sweaty versions of themselves from 35 years ago. But the spirit of it is there.
The live video of this that I found unfortunately doesn't completely do the song justice, though the singer does do an awesome cartwheel a little over halfway through it. You really should find the studio version of the song, it's well worth the search.
So, I freely acknowledge that this band bears a little more than a passing resemblance to Cheap Trick. They sound A LOT like Cheap Trick actually. I guess one could say that they're like a poor man's version of that band. I found this song by accident on the internet when I was looking for back catalogue songs by Cheap Trick. This one is obscure for sure, though maybe it wasn't if you lived in Cleveland in the 1970's. I believe that the record this is on has since been re-issued, though I can't confirm that. Allmusic says that it is worth tracking down, though I've only heard 2 or 3 songs from it so I can't say that for sure.
It's interesting to note that this band has reformed and is now playing live again. They definitely look like fat, sweaty versions of themselves from 35 years ago. But the spirit of it is there.
The live video of this that I found unfortunately doesn't completely do the song justice, though the singer does do an awesome cartwheel a little over halfway through it. You really should find the studio version of the song, it's well worth the search.
ARTFUL DODGER: "WAYSIDE"
Yes, there is a DJ from the UK who goes by the name Artful Dodger. That is not this band. This was another short-lived AM radio band from the US midwest, circa 1975. It's impossibly hard to find songs by this group, though their entire back catalogue was re-issued on CD several years ago. I do intend to pick up their records, because if the songs on them are even remotely close to as good as this one, then they're probably going to be one of my favorite bands of all time.
The singer's voice has the perfect combination of range and grit. The guitars and drums sound like Who's Next-era Who. The song is just awesome. And fortunately, the version of it that I found is properly placed, this performance was for some promotional video in 1980, a mere 5 years after the song was released. The only thing you lose on this version, again, is the exceptional vocal harmonies in the choruses. There's a falsetto on the studio version, and that's missing from this performance. However, the rock is all over the place. Good band, and probably one of my favorite songs ever.
(The embed code was disabled on the damn video, so here's the direct link, go check it out)
Artful Dodger - Wayside, Live 1980
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